Debussy plays Debussy Clair de Lune 1913

Debussy plays Debussy  Clair de Lune 1913

Видео: Debussy plays Debussy Clair de Lune 1913

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Опубликовано: 19.03.2024 | Продолжительность: 00:03:50

Claude-Achille Debussy - Clair de Lune Mondglanz Mondschein Moonlight Suite Bergamasque Debussy piano. The Suite bergamasque was first composed in 1890-1905. Claude Debussy Plays His Finest Works Claude Debussy Piano Roll 1913. NOTE: This is NOT an ACOUSTIC RECORDING. This is a recording obtained by PIANO ROLL see further details below. But acoustic recordings were made by Debussy with Mary Garden and you can hear here: tempo 01:17:25 From 1903 to 1913 Claude Debussy recorded several of his own pieces on piano rolls. Debussy was delighted with the reproduction quality saying in a letter to Edwin Welte: It is impossible to attain a greater perfection of reproduction than that of the Welte apparatus. I am happy to assure you in these lines of my astonishment and admiration of what I heard. I am Dear Sir Yours Faithfully Claude Debussy. More than one century old these recordings allow us to listen to the great composer playing his own works. Debussy made his last recordings when he was 52 years old and suffering from cancer in 1913. He died less than five years later on March 25 1918. Rolls for the reproducing piano were generally made from the recorded performances of famous musicians. Typically a pianist would sit at a specially designed recording piano and the pitch and duration of any notes played would be either marked or perforated on a blank roll together with the duration of the sustaining and soft pedal. Reproducing pianos can also re-create the dynamics of a pianists performance by means of specially encoded control perforations placed towards the edges of a music roll but this coding was never recorded automatically. Different companies had different ways of notating dynamics some technically advanced though not necessarily more effective some secret and some dependent entirely on a recording producers handwritten notes but in all cases these dynamic hieroglyphics had to be skillfully converted into the specialized perforated codes needed by the different types of instrument. The playing of many pianists and composers is preserved on reproducing piano roll. Gustav Mahler Camille Saint-Saëns Edvard Grieg Teresa Carreño Claude Debussy Manuel de Falla Scott Joplin Sergei Rachmaninoff Sergei Prokofiev Alexander Scriabin Jelly Roll Morton and George Gershwin are amongst the composers and pianists who have had their performances recorded in this way. Claude Debussys famous Clair de lune is the third piece of the Suite bergamasque for piano a work whose title was chosen as much for its composers love of the word-sounds as for its Renaissance implications though the work can rightly be described as something of a tribute to the French harpsichordists of olden days. The D flat major of Clair de lune is perfectly chosen the gleaming melody in parallel thirds con sordina Debussy requests expertly balanced by the beautifully dissonant tempo rubato that follows it. During the un poco mosso middle section of Clair de lune the music swells far past the pianissimo of the opening and in its climax one might say that the young composer has crafted more of sunlight than of moonlight the incessant arpeggios may well be overdone but one can cherish them all the same. Little wisps of these arpeggios find their way over into the reprise of the opening music and the rolling tones of the middle section are given a few measures to plead their case once more before the final chromatic cadence a moment of absolute tranquility is made. Clair de Lune is a French poem written by Paul Verlaine in the year 1869. It is the inspiration for the third and most famous movement of Debussys 1890 Suite bergamasque of the same name. Clair de lune Moonlight is from Verlaines early collection Fêtes galantes Gallant Parties 1869. Clair de lune Votre âme est un paysage choisi Que vont charmant masques et bergamasques Jouant du luth et dansant et quasi Tristes sous leurs déguisements fantasques. Tout en chantant sur le mode mineur Lamour vainqueur et la vie opportune Ils nont pas lair de croire à leur bonheur Et leur chanson se mêle au clair de lune Au calme clair de lune triste et beau Qui fait rêver les oiseaux dans les arbres Et sangloter dextase les jets deau Les grands jets deau sveltes parmi les marbres. Paul Verlaine Moonlight Your soul is a select landscape fair Where charming masqueraders and bergamaskers go Playing the lute and dancing and almost Sad beneath their fantastic disguises. All sing in a minor key Of victorious love and the opportune life They do not seem to believe in their happiness And their song mingles with the moonlight With the still moonlight sad and beautiful Which gives the birds to dream in the trees And makes the fountain sprays sob in ecstasy The tall slender fountain sprays among the marble statues. Paul Verlaine,

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