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Видео на тему: Романтическая гитарная музыка - видео

2022_02_12 Класс Серегиной Н.Г. Чебоксарской детской музыкальной школы №2 им. В.П. Воробьева. Концертмейстер Николаева Е.В.MAIN DIFFICULTIES: String Crossings OTHER DIFFICULTIES: SIMILAR ETUDES: Dont: Op. 38, No. 27, Hermann: Op. 20, No. 41 In this etude there is a wide range possibilities and movements to learn regarding the string crossings. These possibilities depend on the stroke and the part of the bow. Depending upon these factors the string crossing’s movements will be different. Use the variations to get the most out this etude. As an introduction I will divide it now in three: Tip, Middle, and Frog. Tip: The most beneficial stroke at this part of the bow is the martelé, although it should also be practiced detaché. Set the left hand fingers during the spaces created by the shortness of the stroke while doing martelé. Using the same concept of the space, make the string crossings movement when the bow is stopped on the string, leading the movement with the elbow. Make sure that during the string crossing the bow has certain contact on the string, but don’t over press. Middle: Here you can try to achieve a legato stroke. The left-hand coordination here has the same concept as described at the tip, anticipating the fingers to the bow. Keep a good contact/weight on the bow and make sure the elbow gets to the next string angle at the end of the bow before the actual string crossing/bow change. This means that the elbow level reaches the new string before the bow direction does. When playing the bow change, the elbow should already prepare at the level the new string. Here the elbow movement should be smaller than at the tip, and the wrist loose and free. Frog: Here try legato and slow spiccato. Again, the left-hand coordination remains the same. At the frog most of the string crossings will be achieved by turning the hand/wrist and not so much the elbow. The flexibility of the fingers of the bow hand will have a big role here at the frog. The balance between the index and the pinky, mostly by flexing the pinky, will take care of the string crossing as well. Maintain a firm but flexible bow grip. While doing spiccato, make sure you to do it at a slow tempo. This way you will work more on controlling the bow on the air, since the string crossing happens there and not on the string. The word of the game is: Anticipation. String crossings movements need to happen right before the bow goes to the new string.Harmonica: Humberto Granara Valladares. Hohner B Dedicado con mucho cariño a mi hija Bonnie por su cumpleaños. Dear friends: I hope you like this video. Please, any comment or critic will be well received. Thank you very much.A gorgeous segment from Richter's "Four Seasons Recomposed" Thomas Gould, violin SÓN – Southampton's professional orchestra Robin Browning, conductor Turner Sims, Southampton 28 April 2017Beethoven, Violin Sonata No.7 Op.30 No.2, Allegro con brio – Ravani Loushy Kay Michael Zartsekel, piano Plays on a 1799 Nicolas Lupot, from the collection of Yehuda ZisapelI have a very snuggly kitten and also I have reading plans that I may or may not accomplish from January-March Winter TBR 2020: -Short Story Collection: Ship Fever by Andrea Barrett -Essay Collection: When I Was a Child I Read Books by Marilynne Robinson -Memoir: Gone: A Girl, a Violin, a Life Unstrung by Min Kym -Contemporary Novel: The Chimes by Anna Smaill -Poetry Collection: Bluets by Maggie Nelson -Classic: The Portrait of a Lady by Henry James -YA: The Story That Cannot Be Told by J. Kasper Kramer -Nonfiction: Wolf Nation by Brenda Peterson Find me on Twitter: https://twitter.com/InsertLitPun Find me on Goodreads: https://www.goodreads.com/user/show/32647049-jennifer This is not a sponsored video, and unless otherwise stated, I bought these books myself.http://www.discoverguitaronline.comA=415Hz Handel: Theodora, HWV 68 Aria, "With darkness deep" S. Sonya Yoncheva Alessandro de Marchi &Academia Montis Regalis This is not a tutorial. Just enjoy playing the violin or following the notes with greatest artists.скрипкаKairos Practice Pals is provided by Kairos and the Central Washington University music department. Kairos Carrie Rehkopf, violin professor John Michel, cello professor Kairos regularly collaborates with several pianists and musicians as part of its residency at Central Washington University and Icicle Creek.Happy New Year! I decided to cut a very 40's-style backdrop to sit under my electric violin. For more: http://www.brianfitzy.com http://www.facebook.com/brianfitzy215 http://www.twitter.com/brianfitzy215 http://www.reverbnation.com/brianfitzyГосударственный академический симфонический оркестр РК Дирижер - Тигран Ахназарян Солист - Еркебулан СапарбаевAnia Filochowska plays Tartini Sonata in G minor "Devil's Trill," edited by Fritz Kreisler Michael Davidman, piano Graduation Recital Curtis Institute of Music Field Concert Hall Philadelphia, PA December 11, 2017Provided to YouTube by Music Video Distributors Inc. Sonata For Piano And Violin No. 6 In A Major, Op. 30 No. 1 · Jascha Heifetz & Emanuel Bay Violinist Extraordinaire ℗ Classique Perfecto Released on: 2012-02-14 Artist: Jascha Heifetz & Emanuel Bay Music Publisher: Classique Perfecto Auto-generated by YouTube.ALL guitar metal covers Multiscreen Ibanez RGIR20FE Emg 81 and Emg 60 Focusrite Solo Cakewalk by Bandlab Guitar Rig 5 Shotcut Drums & Bass Backing Track