Фортепианные хитрые методы - видео - все видео

Новые видео из канала RuTube на сегодня - 20 April 2026 г.

Фортепианные хитрые методы
  16.04.2024
Фортепианные хитрые методы
  16.04.2024
Фортепианные хитрые методы
  16.04.2024
Фортепианные хитрые методы
  16.04.2024
Фортепианные хитрые методы
  16.04.2024
Фортепианные хитрые методы
  16.04.2024
Фортепианные хитрые методы
  16.04.2024
Фортепианные хитрые методы
  16.04.2024
Фортепианные хитрые методы
  16.04.2024
Фортепианные хитрые методы
  16.04.2024
Фортепианные хитрые методы
  16.04.2024
Фортепианные хитрые методы
  16.04.2024
Фортепианные хитрые методы
  16.04.2024
Фортепианные хитрые методы
  16.04.2024
Фортепианные хитрые методы
  16.04.2024
Фортепианные хитрые методы
  16.04.2024
Фортепианные хитрые методы
  16.04.2024
Фортепианные хитрые методы
  16.04.2024
Фортепианные хитрые методы
  16.04.2024

Видео на тему: Фортепианные хитрые методы - видео


Hi everyone! Welcome to Schradieck Etude 3!! There are 5 videos in this series to take you through every line of Schradieck Etude 3. We are working on intonation between two strings as well as adapting to accidentals when they arise✨🎻 Here is the LINK to SCHRADIECK ETUDES (you do not need an imslp.org account, just accept the disclaimer and wait 15 seconds to download). We will be using the Schradieck School of Violin Techniques Book 1, Etude 1 Transcribed for the Viola. https://s9.imslp.org/files/imglnks/usimg/1/19/IMSLP52773-PMLP109259-Schradieck_-_the_School_of_Violin_Technics,_book1,_Dexterity_(viola).pdf Grab your instrument, put in your headphones or turn on your speaker, because we're about to get a viola workout together🤩🎻 Website https://www.violinviolamasterclass.com Patreon Community https://www.patreon.com/violinviolamasterclassSuggest tutorials, vote songs, and connect to us on discord: https://discord.gg/4Gzb48U Get access to downloadable sheet musics, tabs, or get your request fulfilled: https://www.patreon.com/easymusiclesson You can also purchase a song request at Fiverr: https://www.fiverr.com/s2/58a585bdd9 Please like, share or subscribe! Comment and let us know how the videos have helped you. It keeps us going! :)The easiest way to learn how to play Arabian Nights (Aladdin) by Will Smith on the bass clarinet. It's a bass clarinet tutorial for Arabian Nights (Aladdin) by Will Smith. EasyMusicLesson teaches you to play the your favorite instrument, through easy and simple animation so that you too can learn how to play Arabian Nights (Aladdin) by Will Smith on the bass clarinet easily. A bass clarinet tutorial with visual animation graphic. The video plays in the original speed first then half speed. Skip to 1/3 of the video for half speed. Please note that you can also adjust playback speed with YouTube's default player settings. This channel teaches recorder, alto sax, flute, clarinet, trumpet, tenor sax, bass clarinet, trombone, piano. Here are the channels with other instruments: Violin: https://www.youtube.com/c/easyviolinlesson Viola: https://www.youtube.com/c/easyviolalesson Cello: https://www.youtube.com/c/easycellolesson Guitar, Ukulele, Baritone & Soprano Sax, Bassoon, Horn, Oboe, Tuba, Euphonium: https://www.youtube.com/c/easymusiclesson2 Music Box (For Relaxing Music Box Videos): https://www.youtube.com/c/easymusicbox Drum: https://www.youtube.com/c/easydrumlesson Kalimba: https://www.youtube.com/c/easykalimbalesson Harmonica: https://www.youtube.com/c/easyharmonicalesson Tin Whistle: https://www.youtube.com/c/easytinwhistlelesson Ocarina: https://www.youtube.com/c/easyocarinalesson Bass: https://www.youtube.com/channel/UC_kAr4oYDJsar_9Cu-wJRcA/ Chords of Bass Clarinet arrangement: G Min A Dom 7 G# Maj 7 G Min A# Min C Dom 7 D Dom 7 G Min D# Maj G Min D# Maj D Maj G Min A Dom 7 G Min D Maj G Min G Min G Min G Min C Min D Dom 7 G Min A Dom 7 G# Maj 7 G Min A# Min C Dom 7 D Dom 7 G Min D# Maj G Min D# Maj D Maj G Min A Dom 7 G Min D Maj G Min G Min A Dom 7 G Min A# Min G Min A# Min G Min A Dom 7 D Sus 4 D Maj G Min A Dom 7 G Min A# Min G Min D Maj G Min D# Dom 7 G Min D# Maj D# Maj 7 D# Maj D Sus 4 D Maj G Min A Dom 7 G Min A# Min G Min A# Min G Min A Dom 7 D Sus 4 D Maj G Min A Dom 7 G Min A# Min G Min D Maj G Min Melody notes of Bass Clarinet: C4 D4 E4 C4 D4 E4 E4 E4 D#4 B3 C#4 D#4 A#3 A#3 D4 D4 D4 D4 E4 C4 E4 G4 G4 D#4 F4 G4 C4 D#4 F#4 D4 E4 F#4 D4 D4 F4 D4 D4 E4 B3 C4 A4 B4 C5 A4 B4 C5 A4 B4 C5 A4 B4 C5 A4 B4 C5 A4 B4 C5 A4 E4 G#4 A4 A4 E4 A4 A4 D#4 E4 D#4 B3 C#4 D#4 C#4 D#4 E4 E4 E4 C5 B4 A4 A4 G4 A4 E4 D4 E4 E4 E4 F4 G#4 A4 G#4 F4 E4 E4 F4 G#4 A4 G#4 F4 D4 D4 E4 F4 G4 A4 C5 B4 F4 A4 G#4 F4 E4 C4 D4 E4 C4 D4 E4 D#4 E4 D#4 B3 C#4 D#4 D4 D4 D4 D4 D4 D4 E4 B3 C4 D#4 F4 G4 D#5 D#5 G4 G4 G4 F#4 D4 E4 F#4 F#4 F#4 F4 F4 F4 F4 G4 E4 A4 B4 C5 A4 B4 C5 A4 B4 C5 A4 B4 C5 A4 B4 C5 A4 B4 C5 A4 E4 C4 D4 E4 C4 D4 E4 E4 D4 D#4 B3 C#4 D#4 C4 D4 E4 E4 E4 C5 B4 A4 A4 A4 A4 B4 C5 E5 D#5 E5 D#5 C5 C5 C5 B4 A4 E5 C5 C5 B4 A4 E5 E5 G5 F5 D5 E5 E5 E5 D#5 C5 D#5 E5 A4 A4 B4 C5 E5 D#5 E5 D#5 C5 C5 B4 A4 E5 C5 C5 B4 A4 E5 E5 G5 F5 D5 E5 E5 D#5 C5 B4 A4 A4 B4 C5 B4 C5 B4 A4 B4 C5 B4 C5 B4 A4 C5 E5 D#5 E5 D#5 C5 D#5 E5 A4 B4 C5 B4 C5 B4 A4 B4 C5 B4 C5 B4 A4 C5 E5 F5 E5 F5 E5 D5 E5 E4 A4 B4 C5 E5 D#5 E5 D#5 C5 C5 C5 B4 A4 E5 C5 C5 B4 A4 E5 E5 G5 F5 D5 E5 E5 D#5 C5 D#5 E5 E4 A4 B4 C5 E5 D#5 E5 D#5 C5 C5 B4 A4 E5 C5 C5 B4 A4 E5 E5 G5 F5 D5 E5 E5 D#5 C5 B4 A4Become a Patreon for access to every transcription I've ever done!!!: https://www.patreon.com/MattBrownGuitar www.mattbrownsguitarstudio.com www.deadparade.bandcamp.comU okviru Treće smotre stvaralaštva srpskih kompozitora u organizaciji Muzičke škole iz Uba koncert-majstor ansambla opere Edit Makedonska iz Beograda, izvela je prvi put posle 97 godina drugi stav Drugog koncerta za violinu u Ge-duru Petra Stojanovića koji do sada nije javno izvođen u Srbiji. Predhodno izvođenje je bilo 1916. godine u Pragu, a svirao je češki violinista Jan Kubelik. Izvedena je i Stojanovićeva Romansa i Humoreska, uz klavirsku pratnju Nevene Živković.Ученицы ДШИ №2 Карабаева Юлия, Шелухина МарияAfter someone sent me that nice message "cover megadeth you slut" I knew it's about time to finally live up to my channel name and do my first Megadeth cover 😂 Actually I wanted to do that a long time ago, but I always kept delaying it 'cause I always felt like my first Megadeth cover had to be one of my favorite songs and it's freaking hard to do Marty's solos any justice. So finally here's my attempt at it - Ashes has always been my favorite song on Countdown and is definitely in my top 5 alltime favorite Megadeth songs, Dave's done an amazing job with those sick riffs and lead melodies and there are some pretty cool time signatures in the verse and interlude sections. Anyway, thanks for watching and stay tuned! Unfortunately I can't earn revenue on YouTube due to copyright restrictions, so if you want to support my work and get videos like this more often, feel free to leave a comment below and check out my Patreon 🤘🏻 🤘🏻 Join me on Patreon and get exclusive rewards and downloads! ► https://www.patreon.com/MGPCovers 🤘🏻 Follow me on twitter for Metal and Gaming stuff ► https://twitter.com/MGP_Covers If you have any questions about guitars, equipment, recording, editing or whatever you're interested in, just send me a message on twitter, I'd be happy to help and have a chat! =) 🎼 TABS 🎼 Here you'll find my Guitar Pro and PDF versions of the tabs, please DO NOT share or upload these tabs anywhere else without asking me. If you liked the video or my tabs feel free to tell me, I'm thankful for every comment and support =) http://www.mediafire.com/folder/d3d9c8n5873e1/Ashes_In_Your_Mouth 🎵 SONG AND TUNING 🎵 Artist: Megadeth Song: Ashes In Your Mouth Album: Countdown To Extinction (1992) Guitar tuning: E Standard (E-A-D-G-B-E) #Megadeth #CountdownToExtinction #MetalCover #ThrashMetal 🎸 GEAR USED FOR RECORDING 🎸 • Jackson KVMG QM Pro Series TBK • Marshall MG100FX Head + Marshall MG412 ACF Cabinet • Dunlop Tortex Sharp 1,35mm Picks 🔒 DISCLAIMER AND COPYRIGHT 🔒 The original song used as a backing track and all rights belong to Megadeth, Capitol Records and their respectful owners.Learn how to play the original riff the way the band plays them. Is the video too fast? Slow it down by selecting "settings" and selecting "playback speed". Song: Enter Sandman Performed by: MetallicaHi, guys, I hope you enjoyed the video, and I own nothing but the fact that I merged the two songs together. Lindsey is awesome and I love her, thanks for watching! Video created using http://studio.stupeflix.com/ Song merged by using Sound trap: https://www.soundtrap.com Watch the Transcendence original music video: https://www.youtube.com/watch?v=EiyPRqP5glY Watch the Transcendence (Orchestral) music video: https://youtu.be/DHdkRvEzW84 Follow Lindsey Stirling's channel here: https://www.youtube.com/channel/UCyC_4jvPzLiSkJkLIkA7B8g All pictures go to their rightful owner! Like, and subscribe for more!!! Enjoy your day! :-)Visit https://www.NathanShirley.com About the music~ This composition is dedicated to Felix Mendelssohn and Edgar Allan Poe, written in 2009 to commemorate the 200th year since their birth (both in 1809). It is inspired both by Mendelssohn's Concerto for Violin and Piano in D minor, and Poe's last poem- Annabel Lee. It's main theme is styled very romantically, to give an air of the 19th century. The solo violin loosely represents Annabel Lee, while the piano loosely represents the narrator. Each section reflects the different events and emotions conjured up by the poem. --- Performance at the Royal Academy of Music in London. Daniel Petrica Ciobanu (piano), Calin Andrei (solo violin), Rivoli String Quartet, Michael Cretu (contrabass). --- ANNABEL LEE~ IT was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of ANNABEL LEE; And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child, In this kingdom by the sea: But we loved with a love that was more than love — I and my ANNABEL LEE; With a love that the winged seraphs of heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful ANNABEL LEE; So that her highborn kinsman came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea. The angels, not half so happy in heaven, Went envying her and me — Yes! — that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my ANNABEL LEE. But our love it was stronger by far than the love Of those who were older than we — Of many far wiser than we — And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful ANNABEL LEE: For the moon never beams, without bringing me dreams Of the beautiful ANNABEL LEE; And the stars never rise, but I feel the bright eyes Of the beautiful ANNABEL LEE; And so, all the night-tide, I lie down by the side Of my darling — my darling — my life and my bride, In her sepulchre there by the sea, In her tomb by the sounding sea.Salvatore Lombardo testing a new violin made in Cremona by Italian maestro Valerio Ferron.Thank you for watching! I hope you found this video helpful and enjoyed it :) Summary screenshot provided at the end. Let me know if you have any questions or suggestions in the comment section below! _____________ hi!! my name is Sophie and I am a first year conservatory student, but I'm super excited to open this channel up to my other passions and interests in life. weekly videos consisting of my life, violin content (mostly on my Instagram @jemviolin), and words of wisdom! subscribe if you'd like to follow along- I'd love to create a community on here! Instagram: https://www.instagram.com/jemviolin/ #violin #violintechnique #violinoctaves #intonation #howtoplayviolin #violinist #musician #music #classicalmusic #instrumentalist #instrument _____________ Soli Deo gloriabest paired with earphones & teaPlayers of the David Goldman program of the Jerusalem Music Centre, Play Dvořák's Piano Trio no 4 'Dumky' (1st Movement) Musicians: Naama Ben Zaken - Violin | Eva Maazia - Cello | Yoav Roth - Piano Coached by Sergei Bresler and Cesare Zanfini Concert at the Jerusalem Music Center hall, May 30th, 2022 Support a Young Musician: https://www.jmc.org.il/en/donation-YIPO/ Learn more about the Jerusalem Music Center: https://youtu.be/QVrxzlA-1TE Visit the Jerusalem Music Centre’s Homepage: https://www.jmc.org.il/en/ Join our Facebook Community: https://www.facebook.com/jerusalem.music.centre/ Young Israel Philharmonic Facebook Page: https://www.facebook.com/YoungIsraelPhilharmonicOrchestra/ Follow us on Instagram: https://www.instagram.com/jerusalemusicentre/ Contact us via Email - info@jmc.org.il or Phone - +972-(0)2-6241041 The David Goldman Program for Outstanding Young Musicians: The David Goldman program is designed to cultivate the gifted young musicians in Israel through playing in chamber ensembles that work throughout the year. In 2010, the Goldman family, with the help of the Jerusalem Foundation, decided to make a contribution that ensures the continuity and prosperity of the chamber music field for many years, to commemorate the father of the family, David Goldman. The ensembles consist of string, wind instrument and piano players aged 11-18. Playing in the ensemble allows the young musicians an encounter with masterpieces and gives them a basis for musical deepening, listening, sensitivity to sound and teamwork. As part of the work, the young musicians meet prominent Israeli and international artists. To develop their performance skills, the students participate in many concerts in special concerts for the community on important stages in Israel, for students in elementary schools, nursing homes and hospitals. As part of the program, about thirty outstanding chamber ensembles work throughout the country each year. The ensembles hold weekly rehearsals during the school year and participate in courses during the Hanukkah and summer vacations. The program is led by violinist Sergei Bressler, himself a graduate of the Jerusalem Music Center and a member of the Jerusalem Quartet, which was founded at the Music Centre as part of this program. The Jerusalem Music Centre (JMC): The JMC was founded in 1973 by legendary violinist Isaac Stern and Jerusalem Mayor Teddy Kollek, with the assistance of Yad Hanadiv (a Rothschild foundation) and the Jerusalem Foundation. The JMC’s purpose was to provide a musical center that would find and nurture the finest musical talents from all over Israel, and today, as a result of more than 40 years of work, many such talents can be heard performing on prominent concert stages across the world. Today, headed by renowned pianist Murray Perahia, the JMC continues to imbue each successive generation of young Israeli musicians with the very same love, passion, and respect for their art shared by their predecessors, and indeed by great musicians throughout the centuries. Our Purpose: To find, nurture and promote outstanding young musicians from throughout Israel, providing them with uniquely tailored programs that hone their skills both as soloists, and as ensemble and orchestral players. To support the musical and pedagogical development of instrumental teachers across the country, bringing them into contact with the world’s leading musicians and musical pedagogues. To provide a musical center of global stature at the heart of Israel’s capital, enriching the city and its residents through its world-class concert series. Our Vision: Music has the ability to touch so uniquely and directly upon the very essence of human experience. To gain true, authentic mastery of its performance is a lifelong journey that, over and above innate ability, requires commitment, dedication, and humility. The JMC seeks out those extraordinary young Israelis who wish to, and are capable of embarking upon this journey with us. Around such individuals, we create a musical community of peers and great masters that nurtures, supports and challenges them throughout their formative years and beyond; a community that is there again and again to encourage and remind these budding artists that there is always more to be understood, experienced, and communicated through the language of music. Through this process of musical contact, these youngsters develop from promising talents into true musicians, who make artistic and interpretative choices knowingly and authentically, as part of an ongoing search for meaning and honest communication in music.Пригункова Олена Концертмейстер Сидорова О.М. Ф.Мендельсон Концерт для скрипки e-moll II та III ч."Панжема (Открытие) - 2022", МБУДО ДШИ 8 г. Саранск, младшая возрастная категория (7-10 лет), преподаватель Мякушина Тамара Викторовна. Санintento de estrofa de pieza de jazz exquisitaМеліченко Анастасія, скрипка, I вікова категорія, Дитяча школа мистецтв №6 м.Гомель (Білорусь), Викладач – Дроздова Євгенія Борисівна, Концертмейстер – Мальцева Лариса Василівна.