Флейтисты - видео - все видео

Новые видео из канала RuTube на сегодня - 20 April 2026 г.

Флейтисты
  16.04.2024
Флейтисты
  16.04.2024
Флейтисты
  16.04.2024
Флейтисты
  16.04.2024
Флейтисты
  16.04.2024
Флейтисты
  16.04.2024
Флейтисты
  16.04.2024
Флейтисты
  16.04.2024
Флейтисты
  16.04.2024
Флейтисты
  16.04.2024

Видео на тему: Флейтисты - видео


Pierre Rode 24 Caprices (1774-1830) Violin Etude 22 Grave e sostenuto ©Violin StudyДемонстрационное видео от Мастерской контрабаса EasyBassMaster Инструмент в продаже. Мастерская-шоурум контрабаса EasyBassMaster это: - Реставрация; - Ремонт; - Акустическая и эргономическая настройка контрабасов. Мы уже 7 лет занимаемся контрабасами! Мастера - профессиональные контрабасисты, понимающие особенности звучания, специфику техники, и как преодолеть исполнительские сложности. Проводим личные консультации по подбору инструмента. В Москве вы можете посетить наш шоурум, в котором есть десятки отстроенных контрабасов разных эпох, подходящие для каждой из исполнительских задач. Все это можно увидеть, услышать, попробовать и сравнить в одном месте - в нашей мастерской EasyBassMaster. Адрес: Варшавский 1-й проезд 1ас28, Москва +79652448515 vk.com/a_krymov vk.com/easy_kontrabass EasyBassMaster.comОткрытый урок преподавателя Ступинской ДМШ Тарасовой Ю.Б. Тема урока: Развитие технических навыков у учащихся младших классов ДМШ на примере Г. Беренс - Этюд ор. 88 №7, С. Прокофьев - Тарантелла. Урок проводился на базе Ступинской ДМШ 23 ноября 2016г. в рамках методических чтений секции «Фортепиано» Ступинского методического объединения. В уроке принимала участие ученица 3-го класса Евлаш Лейла.Мелодии создаю сам пока получается плохо!!!подержите меня лайком и подпиской!!!Фрагмент из симфо-шоу "Наваждение" Palladio K. Jenkins Дирижер - Сергей Проскурин Conductor Sergey ProskurinEdi Kotler - Violin Jerusalem Music CenterДа 👍🏻Alexander Glazunov : Concerto in E flat major for alto saxophone and string orchestra, Op. 109 Conductor Henry Cheng Solist Brandon Choi Concert Master Tobias Feldmann, violin YIMFE ENSEMBLE Yeosu International Music Festival & Ensemble is a classical music festival dedicated to presenting a captivating and dynamic musical experience in the city of Yeosu. Situated along the southern coast, Yeosu is one of the most beautiful seaside cities in Korea and the hometown to both directors of YIMFE. For 4days every August at Yeosu Yeulmaru, YIMFE will bring together an exceptional group of young professional musicians from all over the world to present moving and inspiring concerts to the community of Yeosu. 출처 : 여수국제음악제 홍보 영상 Website: http://www.brandonjinwoochoi.com Brandon TV: https://www.youtube.com/channel/UCMJh5jTY6vt2ZlwiIhU5r9g Facebook: https://www.facebook.com/Brandonjinwoochoi instagram: https://www.instagram.com/brandonjinwoochoi/ Itunes: https://itunes.apple.com/us/album/saxophone-sonatas/id997122436Robert Schumann (1810-1856) String Quartet opus 41 no. 3 movement 2 EnAccord Stringquartet http://www.enaccord.nl/ Ilka van der Plas - violin Helena Druwé - violin Rosalinde Kluck - viola Mette Seidel - celloIf you enjoy this performance please be sure to Subscribe. You can donate to Matinee Musicale at https://matineemusicale.org/donate/ Eunice Kim 0:00 Introduction Johann Sebastian Bach (1685-1750) 3:56 Largo from Sonata No. 3 BWV 1005 Gabriela Lena Frank (b. 1972) Suite Mestiza for Solo Violin 7:53 I. Hailli 12:32 V. Tarqueada Johann Sebastian Bach (1685-1750) 15:30 Loure from Partita No. 3 BWV 1006 Paul Hindemith (1895-1963) Sonata for Violin Solo Op. 31 No. 2 20:05 I. Leicht bewegte viertel 22:56 III. Gemächliche viertel 24:20 IV. Leicht bewegte Johann Sebastian Bach (1685-1750) 29:16 Andante from Sonata No. 2 BWV 1003 35:19 Theme and Variations on Amazing Grace - John Newton (1725-1807) Arr. Ning Kam (b. 1975)http://SchoolofViolinArtistry.com In this masterclass video from the School of Violin Artistry, Roy Sonne teaches technique and artistry in the second half of Czardas including his practice strategies for achieving speed and clarity in the fast sixteenth note passages and his six step routine for practicing the difficult section in harmonics. For more like this, visit our website at the link above. You will find violin instruction videos focusing on the development of artistry for violinists at all levels of proficiency. Detailed lessons on standard student repertoire including Mozart G Major Concerto, Vivaldi A Minor Concerto, Accolay Concerto. Also study material including Mazas and Kayser etudes, Intonation practice, and more.- Composer: Paul Hindemith (16 November 1895 -- 28 December 1963) - Performers: Danish String Quartet - Year of recording: 1995 String Quartet No. 1 in C major, Op. 2, written in 1914-1915. 00:00 - I. Sehr lebhaft 11:02 - II. Adagio 22:22 - III. Scherzo. Sehr lebhaft 28:44 - IV. Ziemlich lebhaft In his 1st string quartet, Hindemith (who was only nineteen years old) was trying to stand firm against the most highly challenging requirements of chamber music composition. Both musically and stylistically the music is based on a Brahmsian late-Romanticism, which would have been imparted to him by his second composition teacher at the Hoch Conservatory, Bernhard Sekles. Hindemith was concerned with extending and reshaping the traditional forms, which he favored, but without rendering them unrecognizable. In this work this results in an almost rampant, fit to burst musical prodigality, which Hindemith organizes through sophisticated compositional endeavor and which he makes easily comprehensible. The first movement is in traditional sonata form, but one whose formal components Hindemith elaborates in an unusually artful way. He leads the first subject through various forms, while he presents the second subject, which is closely related rhythmically to the first subject, in two different forms which are like variations of each other. In the development section he combines the motifs and themes by the use of strict techniques through both motivic and thematic treatment, as well as through counterpoint. Following the conventional recapitulation the coda is an ongoing continuation of the development. So the constituents of the form are distinguished from each other not only through their melodic and motivic material but also through their respective compositional structures. Moreover Hindemith colours these formal constituents by means of a subtly differentiated harmonic and tonal conception: - In the first movement the first subject remains firmly in the basic tonality of C major (the tonic), the transition to the next section is in D flat major (Neapolitan), the second subject in its first version is in E major (the mediant), its second version is in G major (the dominant), while the transition to the development section touches on A minor (the relative minor) as well as F major (the subdominant). By adopting such a well-planned compositional approach the nineteen-year-old composer certainly also demonstrates great skill, a skill which he would originally have learned and applied from Sekles's compositional methods, yet he is truly able to breathe new life into them through the freshness and originality of his musical invention. - Hindemith imbues the second movement with the character of a three-part funeral march, which is quite unusual in string quartet music. - The scherzo which follows, in complete contrast to the robust diatonicism of the first movement, is chromatic. Furthermore, in a lavish display of inventive abundance, he even gives this scherzo two trio sections, of which the first in particular exploits the tonal possibilities of the string instruments. - Hindemith writes the final movement in rondo form, in which (clearly modeled on the example of Brahms's Third Symphony) he refers back thematically to the funeral march of the second movement, in the manner of a cyclical rounding off. Hindemith completed the first movement of the quartet in the summer of 1914 immediately before the outbreak of the First World War and because of the war he at first stopped work on the piece. It was not until March and April 1915 that he continued work on it with the funeral march, a movement clearly relevant to that war when, to Hindemith's surprise, his composition teacher programmed the as yet unfinished work in an evening concert at the Hoch Conservatory. Under the greatest time pressure, which obviously acted as a stimulant, Hindemith duly completed the quartet and, as scheduled, it was given its première on 26 April 1915 in Frankfurt am Main by an ensemble of teachers and students, with Hindemith himself taking the first violin part. The quartet remained unpublished during the composer's lifetime; it was not performed again until 6 February 1986 and was finally published in 1994.We are living hard times here in Italy, so me and my brother have found a way to take it easy :) Enjoy, and good luck to all! We will defeat CoronaVirus and we will become stronger after this! #iorestoacasa #suonachetipassa #pinkfloyd #violinFormatia Alba show Band live in Restaurant Alba (Titan.) Va asteptam cu drag in Restaurantul nostru pentru mese festive la preturi avantajoase. http://restaurantalba.roHaz clic para agregar una descripción...Suscríbanse al segundo canal de clips: https://youtube.com/channel/UCv2TN2sp8lh-eBTDKSX1MIQ ¡Únete al Discord! https://discord.gg/AZABFxE36b Apoyame en Patreon! https://patreon.com/GorillaGuitars Sígueme en mis redes! 🦍 🎸 https://instagram.com/gorillaguitars/ https://facebook.com/GorillaGuitarsEc/ Personal https://instagram.com/luis_z.v/ https://youtube.com/user/luiszv14/#guitarsolo #guitarinstrumental #guitarist Modern instrumental sentimental Rock ballad in B minor/standard B tuning. Please Subscribe to my channel, turn ON the Notifications Bell to stay tuned for more uploads, and also Like this video and drop a comment below! Ask me anything you want and I will answer. Thank you all so much! The link to purchase any of my backing tracks is in the channel description. Listen to the backing track for this song here on YouTube: https://youtu.be/9nOI9UPAet8 You can support my work by: 1) By clicking the "JOIN" button and becoming a member : https://www.youtube.com/@IanBouchardInstrumentals 2)You can also support my channel by sending a "Super Thanks"! 3)Sharing my content on other media platforms. The gear used for this song: Ibanez RGA32 guitar with active pickups Headrush MX5 board Ibanez GSR200TR bass guitar Fl Studio Arturia Mini Lab MKII midi controller keyboard Alesis DM10 MKII Pro drum Kit with EZDrummer software