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Видео на тему: Melody Maven - видео

Violin is love! Again I need to reinstall windows. Again I need to reinstall my base vst intruments, vn translations, graphic works, programs... Sigh... YT - https://www.youtube.com/c/DrimsterMusicRoom SC - https://soundcloud.com/orzhzawjss42 Useful software: Music editor - FL Studio 12 Violin - Chris Hein solo violinis (Kontakt) Piano - Alicia's keys (Kontakt) Dynamics - Alloy 2, RC 48, Fruity compressor, Solid bus comp, Ozone 6 (VST) Equalizer - Ozone 6, Solid EQ (VST) Arrangement by Navarone Boo Midi by UnlimitedMusicWorks Arrangement by DrimsterSCROGGINS & ROSE ~ Tristan Scroggins (Mandolin) & Alisa Rose (Violin) ~ In a world of growing disconnection, master instrumentalists Tristan Scroggins and Alisa Rose provide a touchstone for experiencing the world in the moment. Despite their youth, Scroggins & Rose bring an experienced touch to the worlds of both Western classical and American traditional music that explores the dynamic and emotional capabilities of a string duet.They are part of a new musical movement that seeks to bridge the gap both culturally and musically between classical and folk music. Scroggins, a mandolinst and second generation bluegrass virtuoso, and Rose, a Grammy-Nominated composer and violinist/fiddler, create an inviting musical atmosphere with their thoughtful arrangements and harmonies. From here the listener is taken on a journey away from the familiar as the duo utilize risky improvisation and innovative musical techniques to reimagine both the limits of acoustic music and the boundaries of both bluegrass and classical genres. This playful spontaneity energizes the performer and crowd alike grounding them to each passing moment.  Despite the sometimes raw displays of talent, Scroggins and Rose uses their technical expertise and expansive knowledge of music to not only put on a world class performance but expand and distort the timeless themes of American music while remaining faithfully reminiscent of their traditions. With two separate lifetimes of dedication to songcraft, authenticity, and their individual instruments, Scroggins & Rose forge their own youthful yet experienced path which breaths new life into old traditions. “Grana stands out as a highlight amongst the many New Acoustic and progressive bluegrass projects appearing these days... This is music that begs to be heard." — Bluegrass UnlimitedInstrumental Violin CoverПрофессональный ремикс песни о Черновцах Гаммы Скупинского (автора знаменитой в свое время песни Софии Ротару " Ти - сонце в небi, ти - квіт рожевий...", ныне – американского оперного, симфонического и кинематографического композитора), написанной им по просьбе великой Сиди Таль (https://www.kino-teatr.ru/kino/acter/w/star/418557/bio/), для её репертуара, но так и не исполненной ею… Эта единственная эстрадная песня о Черновцах на еврейском языке идиш, (при этом автор сочинил параллельно и украинский текст) до сих пор никогда не исполнялась профессионально. И вот сегодня, с разрешения автора, мы представляем Вам официальную версию ремикса песни «Майн Чернывэць (Мої Чернівці)» со смешанным идиш-украинским текстом в исполнении Эмиля Крупника, Александра Кота и женского идиш-дуэта «Нигун» - Елены Винн и Ирины Сидоровской. Аранжировка Анатолия Манди, скрипка Феликса Шустера, кларнет Геннадия Волоцкого Спасибо Александру Федоренко и его профессиональной студии! И наконец, спасибо и низкий поклон нашому меценату Евгению Штернбергу!"Journey's End" Paul Whiteman and His Orchestra Victor 18985 November 15, 1922 Whiteman's remarkable recording career began in 1920. His success led to the demise of "jass" bands that had earlier enjoyed success. He pioneered a new type of dance music. Victor's November 1920 record catalog supplement announced the release of Whiteman's first disc, twelve-inch 35701 featuring "Avalon--Just Like a Gypsy" (the label describes it as a "Fox Trot Medley") backed by "Best Ever Medley." The supplement states, "These are the first records by Paul Whiteman and his orchestra from the Ambassador Hotel, at Atlantic City. They exhibit a new type of dance record--a new and singularly beautiful type, which must be heard to be taken at its true value. This orchestra has its own methods of scoring..." The supplement's claim that the records "exhibit a new type of dance record" is valid. Whiteman's early records were different from most being issued by Victor, especially in instrumentation--a combination of saxophones, brass instruments, strings (banjo and violin), and percussion. Whiteman's orchestra used nine musicians, making it larger than the typical dance orchestra of 1920. Joseph C. Smith's Orchestra at that time employed six musicians, sometimes seven. Selvin's Novelty Orchestra in late 1919 recorded the carefully arranged "Dardanella" (Victor 18633) with nine musicians playing most of the same instruments that Whiteman used one year later for his first session. Selvin's "Dardanella" was a huge hit in 1920 and arguably a harbinger of dance records to come, including Whiteman's. Though Selvin would make many more records, working for various companies, no other Selvin performance duplicated the success of "Dardanella." Whiteman, in contrast to Selvin, enjoyed hit after hit as an exclusive Victor artist. In the autumn of 1921 the orchestra was featured for the first time in a vaudeville house, the prestigious Palace Theater. To play to an audience that had no space for dancing was daring, but the engagement was successful, proving that audiences were satisfied when simply listening to Whiteman's dance band. His records had been promoted as meant for dancers--not for listeners in seats. He was called the King of Jazz, but a better name would have been King of the Fox Trot. The fox trot had caught on in 1914 as another spirited trot, but it eventually merged with the two step, becoming smooth. The name "fox trot" finally replaced "two step" and "march" on sheet music and record labels. Most ten-inch Whiteman records of the acoustic era have, after the song title, the simple phrase "Fox Trot." Exceptions are "Medley Fox Trot," "Oriental Fox Trot," "Waltz," "Medley Waltz," "Medley One-Step," and "Blues Fox Trot." Victor 18744, featuring "Down Around the 'Sip, 'Sip, 'Sippy Shore," may be the first Whiteman record to feature a voice: a session participant supplies square dancing calls. Whiteman records issued through most of 1921 state "For dancing" near the spindle hole. Whiteman began recording at a time when the one-step was losing favor, dancers instead preferring to fox trot. An ambitious businessman, he formed in late 1921 the company Paul Whiteman, Inc., for the purpose of supplying dance bands throughout the New York City area. Whiteman served as president and opened an office at 158-160 West 45th Street. Page 147 of the December 1921 issue of Talking Machine World announced the appointment of Hugh C. Ernst as vice-president and treasurer. Ernst was Whiteman's business manager. Victor promotional literature often stressed that Whiteman's sound was new. Announcing Victor 35704, the February 1921 supplement states, "In both numbers there are many new and beautiful ideas--in rhythm, harmony and orchestral scoring." Important to the orchestra's success were imaginative arrangements. His arranging staff during the acoustic era consisted of Ferde Grofé, Ross Gorman, and Albert Casseday. Grofé was especially important. In the sense that his musicians followed carefully prepared arrangements, Whiteman took a symphonic approach to popular music. His men were proficient at reading music, with opportunities for improvisation given only to selected soloists (in the early 1920s solos were generally straightforward expositions of a song's melody). Program notes for the February 12, 1924, concert at Aeolian Hall state, "Paul Whiteman's orchestra was the first organization to especially score each selection and to play it according to the score. Since then practically every modern orchestra has its own arranger or staff of arrangers." "Journey's End" Paul Whiteman and His Orchestra (November 15, 1922) Victor 18985Исп. Тихомирова А. и Забенко Ю. пр. Грызунова О.М, конц. Кузнецова М.В.Marcus Kha accompanying Lachlan Bramble. Young Accompanist Showcase (YAS) Concert - program run by Accompanist Guild of SA.Ани Лорак развелась официально +++ Подписаться на канал: https://goo.gl/HPt979Roman (DOUBLE BASSIST) playing Zigeunerweisen A VIOLIN piece.Performed by the Harp in the Mountains Festival Ensemble Directed by Anne SullivanRecital ofrecido por el Violinista y Director de la Orquesta Sinfónica de la India, Marat Bisengaliev en el auditorio Alberto Castilla del conservatorio de Ibagué. Ibagué es ciudad musical de ColombiaLa Picardie est une région qui regorge de légendes et d'histoires en tout genre. Un soir le ménétrier d'un petit village de la Somme se perdit dans les bois, et se retrouva dans une bien complexe situation... Histoire inspirée par les récits et légendes de Picardie, et vulgariser par Louis Brancourt. Lexique : "Ménétrier" : Musicien qui jouait dans les fêtes de village "Branle" & "Cotillon" : Danses de l'époque médiévale 🖋 Réalisation, Écriture, Montage : Louis Brancourt ♫ Castle Bard par Brandon Fiechter's music (Montage & Réalisation Louis Brancourt) 🔸Pour s’abonner et soutenir ma chaîne🔸 https://www.youtube.com/channel/UC0D_ArKNe9FmelDtmS4Dk8Q 🔸Rejoignez-moi aussi sur mon site !🔸 https://levoyageurpicard.wordpress.com/ ➤➤➤ Pour en savoir plus : —————————————————————————————————————————— ➤"Littérature Orale de Picardie", Henry Carnoy, 1883 ➤"Contes & Légendes de Picardie" André Chassaignon https://gallica.bnf.fr/ark:/12148/bpt6k3386990w/f7.item.texteImageLive from the dungeon of the Haley Castle, I did a candlelight Valentine's Day Concert on Facebook. This performance was on February 14, 2022.08 Heyamo, лирическая песня народности лазы из турецкого проекта «Ebru». Исполняют Анастасия Андреева, Анастасия Прошина и Лилиана Хуламханова. Аккомпанируют: Роман Дементьев (гитара), Софья Власова (скрипка), Александра Лукьянова (контрабас), Алексей Луценко (джембе) Академический вечер-концерт отдела РНХ колледжа имени Гнесиных 21 мая 2013 годаDavid Modica Music can be found here: ~ Purchase: https://davidmodicamusic.org/buy-music ~ David Modica Music Website: https://davidmodicamusic.org/ ~ Facebook: https://www.facebook.com/profile.php?id=61553510951122 ~ Magnatune Records: http://magnatune.com/artists/modica/ ~ David Modica is also on Spotify, Pandora and many more internet radio stationsMore videos like How to Use Distortion Pedals: 3 Easy Tips 👉 https://www.youtube.com/playlist?list=PLlczpwSXEOyb7mwMcSsjKBfesBp6co4Dx Shop Distortion Pedals at Sweetwater 👉 https://imp.i114863.net/rnrPEy Shop for the Ibanez TS9 Tube Screamer at Sweetwater 👉 https://imp.i114863.net/jW0LR6 Shop for the JHS Angry Charlie V3 at Sweetwater 👉 https://imp.i114863.net/P0EDzN When you really want to fine-tune your guitar tone, randomly turning knobs will rarely get you where you want to go. Join Don Carr for these expert tips on using overdrive and distortion pedals, and you'll be better equipped to dial in any type of guitar tone your music demands. After you watch, check out Sweetwater.com today for all your music instrument and pro audio needs! 👉 https://imp.i114863.net/kjEq43 0:00 - Intro 1:00 - Into A Clean Amp 2:40 - Into A Distorted Amp 5:00 Stacking Distortion Pedals 8:00 - Thanks For Watching #Sweetwater #DistortionPedals #JHS #IbanezSoundtrack film The Last Of The Mohicans Flute cover Semoga Menghibur dan Salam Budaya. . . Mixing & Mastering - Cubase 5 Vidio Editing - Filmora 9 Gambar Instrumen - Fl Studio 20 Sosial Media : Instagram @Sungghyang_ https://www.instagram.com/sungghyang_/ Rahayu Rahayu Rahayu #thelastofthemohicans #sulingcover #flutecover #sukuindian #instrumensuling #sulingsedih #serulingcover #sadinstrumen #sadsong #thelastofthemohicanscover